The Polaroid Years: Ansel Adams

As I mentioned two posts ago, Edward Land, the inventor of  the Polaroid, had placed famed landscape photographer Ansel Adams on a monthly retainer as a consultant back in 1949. 

I don’t think I saw this Ansel SX70 “self-portrait” at the exhibit; I would have remembered because it’s distinctly not a landscape. It looks almost (Alfred) Hitchcockian.

Self-Portrait, c. 1971, Polaroid SX-70 photograph, image 3 1/4 x 3 inches, © Photograph by Ansel Adams.

Self-Portrait, c. 1971, Polaroid SX-70 photograph, image 3 1/4 x 3 inches, © Photograph by Ansel Adams.

Where I’m going with this is the year the photo is taken: 1971. Land introduced the SX70 at a company meeting in April 1972, so Adams is taking this picture with a prototype. Pretty cool, huh?

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NOTE: Plus this is a pivotal post to Ansel Adams and Polaroid, in general.


The Polaroid Years: Lucas Samaras

The exhibit opens with a series of Polaroids called Photo – Transformation by Lucas Samaras. He was a member of  the “New Jersey School,”  a group of artistic hipsters, including Roy Lichtenstein, associated with Rutgers University back in the 1970s, I think.

Photo-Transformation November 7, 1973 -- Lucas Samaras (SX-70 Polaroid)

Photo-Transformation November 7, 1973 — Lucas Samaras (SX-70 Polaroid)

The primary subject of Samaras’ photographic work is his own self-image, generally distorted and mutilated. His Photo-Transformations were created by manipulating the wet dyes of the Polaroid film.

I don’t how many he did in total, but there are seven on display dated 1973 and 1974.

His ”Photo-Transformation November 7, 1973″ usually hangs at the J. Paul Getty Museum. Their corresponding website entry poses questions on the nature of his work:

What does Lucas Samaras reveal about himself in this Photo-Transformation?

Frances Lehman Loeb Art Center

Frances Lehman Loeb Art Center

He created this self-portrait with a Polaroid camera, but he did not let the picture develop on its own. Samaras altered the print by manipulating the dyes, slightly obscuring his head and shoulders.

The viewer’s attention focuses on his gaping mouth, which suggests a long, desperate scream. Perhaps Samaras was trying to convey that he is frightened. Is he crying out in despair, or pain, or rage? Or is he crying out at all? This portrait seems to present more questions than answers, somewhat like the artist himself.

This viewer’s attention focuses on the bulging eyes conveying his horror at being enclosed in a manipulated dye. His scream of desperate rage would be perfectly normal, as far as I’m concerned.

I took this next picture, but I’m not clear from the placard if it’s another Polaroid from the Getty Museum. The purchase   through the Horace W. Goldsmith Foundation for the Loeb Center is of a Large-format Polaroid Polacolor (2010 Acquisitions) which this obviously is not.  

This is not the only butt-naked Photo – Transformation of Lucas Samaras in his kitchen. There’s another 1974 (I don’t know exact date) for $20,000 with all proceeds pledged to the Foundation of Contemporary Arts for grant programs. 

Photo Transformation February 1, 1974 -- Lucas Samaras (Polaroid SX-70)

Photo Transformation
February 1, 1974 — Lucas Samaras (Polaroid SX-70)

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NOTE:  I didn’t buy the hardcover of  The Polaroid Years: Instant Photography and Experimentation at the exhibit because I didn’t have $50 cash on me, but the book is available through Amazon with free shipping.


The Polaroid Years

These pictures from Frances Lehman Loeb Art Center aren’t great; they were taken with a yet-to-be fully explored Canon SX130. Somewhat like this post of a yet-to-be fully explored art show at the Frances Lehman Loeb Art Center called The Polaroid Years: Instant Photography and Experimentation.  

David Graves Pembroke Studios London 27th April 1982 David Hockney Composite of SX-70 Polaroid prints

David Graves Pembroke Studios London 27th April 1982
David Hockney
Composite of SX-70 Polaroid prints

About the Show

This survey exhibition brings together ground breaking Polaroid pictures by forty artists spanning the period from the initial release of the SX-70 camera in 1972 until the present…

Curatorial research for the exhibition was sponsored by The Andy Warhol Foundation for the Visual Arts. The exhibition is made possible in part by the Smart Family Fund for Art Exhibition Support.

The Prospero blog has a very interesting write-up, too, which lends historical color to Polaroid’s Artist Support Program that began in the 1940s.

Instant Forever

When Edwin Land, inventor of the Polaroid, first unveiled his instant camera in 1947, such thoughts were at the front of his mind. “The purpose of inventing instant photography was essentially aesthetic,” he declared, “to make available a new medium of expression to numerous individuals who have an artistic interest in the world around them.” This was not just product-launch hyperbole. By 1949, Land had placed Ansel Adams, a revered photographer of the American landscape, on a monthly retainer as a consultant.

When Land saw how useful Adams was in suggesting improvements to his product he began Polaroid’s Artist Support Program which offered grants of cameras and film to artists such as Andy Warhol and Robert Rauschenberg in order to have his products tested to their limits.

Self Portrait in Nine Parts, (Left) Chuck Close 1979. Exhibit: Frances Lehman Loeb Art Center -- The Polaroid Years: Instant Photography and Experimentation

Self Portrait in Nine Parts, (Left) Chuck Close 1979. Exhibit: Frances Lehman Loeb Art Center — The Polaroid Years: Instant Photography and Experimentation

As mentioned above, the exhibit revolves around the SX-70.  Here’s something from a 2006 2008 Wall Street Journal article about the Polaroid 20X24 camera, which Chuck Close used for his self-portraits featured above. I haven’t read the article completely yet, but I wanted to introduce the large format Polaroid.

Big Artists, Big Camera: Not a Typical Polaroid

When, back in February, Petters Group Worldwide, current owner of Polaroid Corp., announced that it would stop producing instant photography film, the company left the door open for any interested party to acquire the technology needed to manufacture the film for whatever customers remained. 

As a result, investor and philanthropist Daniel H. Stern and long-time Polaroid artist John Reuter now have “an agreement in principle” to produce the chemicals and related products essential for making Polaroid images. 

Their company, 20X24 Holdings LLC, will support only the Polaroid 20×24, which produces images two feet high and 20 inches wide. Polaroid introduced the model in the late 1970s as a glamour product.

“The Polaroid Years: Instant Photography and Experimentation” is at the Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, New York April 12th until June 30th 2013

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NOTE: I doubt I’ll be posting about the show until June 30th, but I anticipate a few more this month.

 


Karsh: Maggie!

I personally don’t remember much about Maggie Thatcher, being somewhat apolitical at the time of her tenure, other than I liked her. As I noted on my previous post she died on Apr. 8th and yesterday, she received a “richly staged funeral” in London.

Apparently, there’s been a big fuss over the funeral costing too much, for such a politically divisive woman, to a country where I don’t live. No American Democrats showed up to pay their respects, either. That doesn’t matter, though, because according to the New York Times:

The bishop of London, Richard Chartres, presiding at the funeral, said that while Mrs. Thatcher had become “a symbolic figure — even an ‘ism’ “ in her 11 years in power, the funeral was “neither the time nor the place” for a political reckoning.

Margaret Thatcher 1976 by Yousaf Karsh (Inset)

Margaret Thatcher 1976 by Yousaf Karsh (Inset)

In fact, I’m grateful the current administration knew better than to try to upstage the Queen of England!

There were no serious disturbances, and barely any scuffles, to disrupt an event that had the rare distinction, for a deceased prime minister, of the attendance at the cathedral of Queen Elizabeth II and her husband, Prince Philip, who were among the 2,300 invited guests at the funeral.

The queen, 87, and the duke, 91, had not attended the funerals of any of the other 10 prime ministers who had served in her 61 years on the throne, save for that of Winston Churchill in 1965.

As it turns out, besides the queen and the duke, Mrs. Thatcher’s two grandchildren (Amanda and Michael) were given prominent roles at the funeral, walking before the coffin and its military pallbearers down the nave of St. Paul’s, bearing purple cushions with two medals, the Order of the Garter and the Order of Merit, which are among Britain’s highest civilian honors, awarded personally by the monarch.

Amanda, impeccably dressed in a black coat, a pearl necklace and a broad-brimmed black hat, read the first lesson, from Ephesians 6: 10-18, in a soft, composed voice; the second, and last, lesson was read by Mr. David Cameron (who is the current prime minister).

Perfect performance: Amanda Thatcher reads faultlessly to the congregation during the funeral service -- Mail Online (AP)

Perfect performance: Amanda Thatcher reads faultlessly to the congregation during the funeral service — Mail Online (AP)

EPHESIANS 6: 10-18

Finally, my brothers, be strong in the Lord, and in the power of his might. Put on the whole armour of God, that ye may be able to stand against the wiles of the devil.

For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.

Wherefore take unto you the whole armour of God, that you may be able to withstand in the evil day, and having done all, to stand.

Stand therefore, having your loins girt about with truth, and having on the breastplate of righteousness; And your feet shod with the preparation of the gospel of peace; Above all, taking the shield of faith, wherewith ye shall be able to quench all the fiery darts of the wicked.

And take the helmet of salvation, and the sword of the Spirit, which is the word of God: Praying always with all prayer and supplication in the Spirit, and watching thereunto with all perseverance and supplication for all saints.

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NOTE:  A spectacular (multimedia) pictorial of the day’s events await under this enchantingly long headline from the Mail Online… and you be the judge; scroll down the page to hear Amanda for yourself!

Thatcher family are comforted by the Queen on the steps of St. Paul’s after the Iron granddaughter gives pitch perfect reading


Karsh: Lionized

The Roaring Lion, Winston Churchill 1941 by Yousaf Karsh

The Roaring Lion, Winston Churchill 1941 by Yousaf Karsh

According to Wiki, Yousaf Karsh is one of the most famous and accomplished portrait photographers of all time. His iconic portrait of Sir Winston Churchill  featured on this post all by itself is saying,

“Anticipate future Karsh portrait photography posts on this blog.”

Karsh got this shot in 1941 in a back room at the Canadian Parliament after pulling Churchill’s cigar from his mouth.

The image captured Churchill and wartime Britain perfectly — defiant and unconquerable.

“You can even make a roaring lion stand still to be photographed,” Churchill later said to him, so Karsh titled the photograph, The Roaring Lion.

It made the cover of Life magazine and made Karsh an international celebrity. It’s supposed to be one of the most widely reproduced images in history and has even been on postage stamps in seven countries!

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The alternate take, long known only to the Churchill family, shows a twinkle in the lion's eye and the hint of a smile.

The alternate take, long known only to the Churchill family, shows a twinkle in the lion’s eye and the hint of a smile.

From the Roaring Lion to the Iron Lady ~

Baroness Margaret Hilda Thatcher

13 October 1925 – 8 April 2013

Prime Minister to the United Kingdom 1979 – 1990

The Lady Who Changed the World

ONLY a handful of peace-time politicians can claim to have changed the world. Margaret Thatcher, who died this morning, was one. She transformed not just her own Conservative Party, but the whole of British politics. Her enthusiasm for privatisation launched a global revolution and her willingness to stand up to tyranny helped to bring an end to the Soviet Union. Winston Churchill won a war, but he never created an “ism”…


Ebert: Leave of Presence

Roger Ebert died today. I want to thank him for introducing me to the SpokenVerse YouTube channel on Roger Ebert’s Journal at the Chicago Sun-Times.

… One of the richest resources on YouTube is an extraordinary channel named SpokenVerse. It offers 466 readings of great poems in English, from Shakespeare to today.

The anonymous reader signs himself “Tom O’Bedlam,” a name taken from a 17th century poem about a lunatic. I believe I recognize his unmistakable voice, but that is for you to decide. — Roger Ebert

Roger is on three posts here and his quote is from the first — Spoken Verse: Kubla Khan is basically about Ebert’s tribute to Samuel Taylor Coleridge on his birthday.

 Kubla Khan hunting. Taipei National Museum

Kubla Khan hunting. Taipei National Museum

KUBLA KHAN  by Samuel Taylor Coleridge

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
   Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round;
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher’s flail:
And mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean;
And ’mid this tumult Kubla heard from far
Ancestral voices prophesying war!
   The shadow of the dome of pleasure
   Floated midway on the waves;
   Where was heard the mingled measure
   From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!
   A damsel with a dulcimer
   In a vision once I saw:
   It was an Abyssinian maid
   And on her dulcimer she played,
   Singing of Mount Abora.
   Could I revive within me
   Her symphony and song,
   To such a deep delight ’twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread
For he on honey-dew hath fed,
And drunk the milk of Paradise.

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NOTE:  The title of this post is taken from Ebert’s obituary in the Sun-Times.

On Tuesday, Mr. Ebert blogged that he had suffered a recurrence of cancer following a hip fracture suffered in December, and would be taking “a leave of presence.”


Doré: Matthew 28

On this Good Friday I’m featuring a Gustave Dore engraving from the Bible – King James Version – along with the corresponding scripture to celebrate the resurrection of Jesus Christ on Easter Sunday. This year Easter falls on March 31st – the date varies every year between March 22nd and April 25th.

Why does Easter move around so much?

The Economist explains

Angel at the Door of the Sepulchre, Gustave Doré,  1872-76

Angel at the Door of the Sepulchre, Gustave Doré, 1872-76

Matthew 28

After the sabbath, as the first day of the week was dawning, Mary Magdalene and the other Mary went to see the tomb. 2And suddenly there was a great earthquake; for an angel of the Lord, descending from heaven, came and rolled back the stone and sat on it. 3His appearance was like lightning, and his clothing white as snow. 4For fear of him the guards shook and became like dead men.

But the angel said to the women, ‘Do not be afraid; I know that you are looking for Jesus who was crucified. He is not here; for he has been raised, as he said. Come, see the place where he* lay. Then go quickly and tell his disciples, “He has been raised from the dead,* and indeed he is going ahead of you to Galilee; there you will see him.” This is my message for you.’

8So they left the tomb quickly with fear and great joy, and ran to tell his disciples. Suddenly Jesus met them and said, ‘Greetings!’ And they came to him, took hold of his feet, and worshipped him. 10 Then Jesus said to them, ‘Do not be afraid; go and tell my brothers to go to Galilee; there they will see me.’

11 While they were going, some of the guard went into the city and told the chief priests everything that had happened. 12 After the priests* had assembled with the elders, they devised a plan to give a large sum of money to the soldiers, 13 telling them, ‘You must say, “His disciples came by night and stole him away while we were asleep.” 14 If this comes to the governor’s ears, we will satisfy him and keep you out of trouble.’ 15 So they took the money and did as they were directed. And this story is still told among the Jews to this day.

16 Now the eleven disciples went to Galilee, to the mountain to which Jesus had directed them. 17 When they saw him, they worshipped him; but some doubted. 18 And Jesus came and said to them, ‘All authority in heaven and on earth has been given to me. 19 Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, 20 and teaching them to obey everything that I have commanded you. And remember, I am with you always, to the end of the age.’*

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HAPPY EASTER!!


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